Showing posts with label tempera. Show all posts
Showing posts with label tempera. Show all posts

Thursday, January 21, 2010

Good resources

I've found an interesting website/shop called Natural Pigments that seems to be pretty useful.
I especially like their pigment info and their tools.
I've also stumbled across an online version of Thompson's The Practice of Tempera Painting. Handy.

Friday, January 8, 2010

Tempera V: bont & blauw & borrellen ... (or, in other words: fur & blue & cocktails)

Well alrighty then, school's started up again. So this week's lesson was about painting...fur. We're still working with egg tempera. We had a variety of fake fur bits and the manky-looking stuffed squirrel that I've decided to name Hieronymus. A couple of my classmates used him as their model, and I just adore their excellent renderings of his...specialness. Here's a picture of him:

(he is rather cute, in a special way, I think!!!)

It was time to stock up our supplies of pigment dispersions (pastes), so several kind classmates made up some new batches -- the ultramarine was so pretty in the bright January sun, I had to take a picture of it.

After hours of focusing on fur, we let things get a bit blurry at our New Year's cocktail party. Long live the sprezzatura!

Finally, one of my classmates asked that I post all of our studies online, so here they are, with a couple of shots of the fur models/samples in between it all as well...
















Thursday, December 17, 2009

Tempera IV - working with a live model

This is the first time I've ever painted a live model with tempera, and the method we're using has about half a dozen steps, in two phases. Complex! Here are some photos of our work in progress.


Hester working on her underpainting

My underpainting

My tablemate Els' work, next to mine


Brieke at the easel

Luuk demonstrating the 'final touches' on Annemie's painting

Tempera, part III - alla prima

In this lesson we worked on generating a couple of spheres (one with and one without white added) using a technique in which the paint was worked around a bit while still wet. I had pretty good success with this and enjoyed experimenting with it. After that we started learning how to represent skin using our own hands as a subject.

Anita working on her hand

My alla prima spheres (still wet) and my COFFEE (the brown motor, mmmmm)

Two nice little spheres (left no white, right using white) and an underpainting of my hand
Step two, applying the protoplasmos on my hand sketch

Steven showing us...his nice apron? :-)

Tempera, part II - folds in fabrics

We're working out several kinds of "classic" exercises lately. These photos below were from our work on studies of folds in fabrics (red velvet, in this case) and they range from mixing the pigments up to a couple of finished versions by my classmates.
This is my favorite red: toluidine red. It doesn't play well with water (above) but once it starts to get along, it begins to manifest a golden sheen -- like alchemical magic (below).

Cochineal -- first a pale pink but, after Hester added water, it became a fiery red!

The folds in the velvet cloth from my angle

Anita's work

Brieke at work

My work (yes, it did look like a pile of brains at that point!)

Final finished products by Hester and Annemie

Monday, November 30, 2009

Egg tempera

We're a couple of lessons into the egg tempera material. I really like this paint, and am happy to work with it again. Posted below are some shots of making up the paint and then some of our first assignments in progress. In addition to getting acquainted with the paint, we are also working on our brush techniques, working in particular with riggers and trying out different ways of modeling. I'm not really skilled with wider brushes yet (practice, practice!), but using a relatively fine one seems to be working pretty well.
(I like Mir's expression in those two pictures above as she watches Luuk wrangle that yolk! [you can click on them to enlarge the photos])

(The aftermath of mixing!)

(Creating different tone values using two colors)

(A next step: working on another color - all photos above are from 18 November)

('Jet is working on our assignment last week: exploring optical properties of tempera; Luuk's keeping my spot warm for me while I'm taking pics :-). This picture is from 25 November.)